Pragadigitals Sonatas J.-S. BACH : SONATAS BWV 1020,1022,1027-1029 - THE VIOLA THROUGH THE AGES (Vol. 1) - J. Suk (viola)
Pragadigitals Sonatas BELA BARTOK (1881-1945) : INSTRUMENTAL WORKS FOR VIOLIN - VOL. 2 - Peter CSABA, Peter FRANKEL
Pragadigitals Sonatas BELA BARTOK (1881-1945) : INSTRUMENTAL WORKS FOR VIOLIN - VOL. 1 - Peter CSABA, J.-F. HEISSER
Pragadigitals Sonatas LUDWIG VAN BEETHOVEN (1770-1827) - SONATAS FOR PIANO AND VIOLONCELLO Vol. 2 - Kanka, Klansky
Pragadigitals Sonatas LUDWIG VAN BEETHOVEN (1770-1827) - SONATAS FOR VIOLONCELLO AND PIANO Vol. 1 - M. Kanka, Ivan Klansky
Pragadigitals Sonatas Luigi Boccherini: Sonatas for Cello and Continuo (Vol. II)
Pragadigitals Sonatas Luigi Boccherini: Sonatas for Cello and Continuo (Vol. I)
Pragadigitals Sonatas Johannes Brahms: The Two Sonatas for Cello and Piano - Michal Kaňka, Ivan Klánský
Pragadigitals Sonatas BRAHMS - VIOLIN SONATAS Opp.78, 100, 108 - Peter Csaba (violin), Jean-François Heisser (piano)
Pragadigitals Sonatas EDVARD GRIEG- OP. 36 + CHOPIN : OP. 65 OP. 3 - Michal Kanka, Jaromir Klepac
J.-S. BACH : SONATAS BWV 1020,1022,1027-1029 - THE VIOLA THROUGH THE AGES (Vol. 1) - J. Suk (viola)
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PRD 250 103
BELA BARTOK (1881-1945) : INSTRUMENTAL WORKS FOR VIOLIN - VOL. 2 - Peter CSABA, Peter FRANKEL
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First world recording of the Rhapsody No.2 in its original version given by Zoltán Székely, the dedicatee, and Geza Frid on 19 November 1928 in Amsterdam
PRD/DSD 250 190
BELA BARTOK (1881-1945) : INSTRUMENTAL WORKS FOR VIOLIN - VOL. 1 - Peter CSABA, J.-F. HEISSER
In stock
PRD 250 135
LUDWIG VAN BEETHOVEN (1770-1827) - SONATAS FOR PIANO AND VIOLONCELLO Vol. 2 - Kanka, Klansky
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PRD 250 172
LUDWIG VAN BEETHOVEN (1770-1827) - SONATAS FOR VIOLONCELLO AND PIANO Vol. 1 - M. Kanka, Ivan Klansky
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PRD 250 165
Johannes Brahms: The Two Sonatas for Cello and Piano - Michal Kaňka, Ivan Klánský
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The traditional pairing of the two Cello Sonatas that Brahms wrote more than 20 years apart. One pays enthusiastic homage to the Bach of The Art of Fugue, the other, energetic and more introverted, maintains an intimate unity of tone, the height of affetuoso and passionato
PRD/DSD 250 214
BRAHMS - VIOLIN SONATAS Opp.78, 100, 108 - Peter Csaba (violin), Jean-François Heisser (piano)
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The Sonata Trilogy that Brahms, written in full maturity, has become the reference in this so particular form of dialogue called “romantic sonata”, each of the three having its own sentimental mood. The first, using the theme from the "Regenlied", has obviously for model Beethoven's last sonata for violin and piano, opus 96. The second let break a warmer intimism, a sort of tribute written "in the wait of a girlfriend", the young soprano Hermine Spies. The third is written with a much stronger ink : this concertante sonata has a vehemence and a surprising greatness which, this time, exceed the beethovenian model, the Kreutzer Sonata.
PRD/DSD 250 187
EDVARD GRIEG- OP. 36 + CHOPIN : OP. 65 OP. 3 - Michal Kanka, Jaromir Klepac
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The last of Chopin’s four sonatas – the first three being for solo piano – has become an essential work in the repertoire of… cellists, taking its place alongside the Beethoven models and the more-immediately lyrical scores of Mendelssohn. Grieg, in the central Andante molto tranquillo of his own Sonata, borrowed from the portrait of Sigurd Jorsalfar (Sigurd the Crusader), incidental music which, owing to its charm and noble bearing, deserves to be as well known as some parts of Peer Gynt. A triptych in chromatic harmonisations as free as they are appealing.
PRD/DSD 250 229
