Written more than 15 years apart, these two scores, juxtaposed here for the first time, successively illustrate the somewhat morose ‘Nordic’ inspiration of the composer of Ein deutsches Requiem, then a more intimate poetic feeling, and finally a communicative serenity, the headiness of a ‘Hungarian’ dance in the Quartet, a sort of wild csárdás with quasi-orchestral force in the coda of the Quintet.
PRD/DSD 250 236
